Soliloquies on Capitalism and Utopian Visions

Two of my favourite soliloquies from film are focused on capitalism and the effects of industrialization. One is affirmative and one is critical and yet both are brimming with truth. I was unable to locate the clips on Youtube, so I mashed them together and vimeo’ed them for your viewing pleasure.



Albert Einstein, in one of his many insightful writings in Ideas & Opinions, asserts that the greatest tragedy of the 20th Century is that automation and mechanization (extensions of the Industrial Revolution) were used to create new forms of work, rather than liberating man from labour. This envisioned liberation would enable men and women to pursue their passions (be it art, science, theatre, poetry, writing, philosophy) without the requirement to earn a living from it. To paraphrase Sir Ken Robinson’s words this would enable every individual to pursue their Element thereby contributing to society at their highest capacity. Robinson argues that this is our best strategy for surmounting the cacophony of crises that lie ahead. This thinking of course is an extension of Jungian philosophy, but taking the focus away from the transformative power of art, to the transformative power of passion. More specifically the transformative power, both for society and the individual, of individuals following and being successful in their passions.

So standing on the shoulders of giants where does this leave us? Capitalism and Industrialization should be encouraged to the extent that they enable opportunities for people to pursue their passions and lower the costs of living for all. As these mechanisms begin to encroach on personal freedoms and engender the extreme consolidation of wealth and power in the hands of a few, they should be eschewed.

There is an irony lurking here. Part of the cold war sales pitch of unfettered capitalism was the dominance of the individual over the state; it’s apparent that the dominance has quickly left the hands of individuals and is now firmly grapsed within the hands of economic necessity. “Don’t be a painter you won’t be able to make a living at it”. Perhaps that is the sad truth now that the Government assistance that sustained Poluck and Rothko in the early days of their careers has ceased. This failing of our societal mechanisms must be corrected… but how? Transform our systems of education? media? democracy? How do we affect a system with so much inertia, and vested short term interest? I suppose the only answer is to lead by example, follow your passion and encourage others to do the same… There’s nothing quite like the smell of utopia in the morning.


Creative Challenge: Create a four season Vignette

Christmas time is a time of vignettes, and I don’t just mean nativity scenes. There are also Christmas Trees, stockings on the mantle, wreaths and many more Christmas staples. However this Creative Challenge is about kicking it up a notch and creating a vignette that will last all year… Here are a few of my favourite things.

Olivander the Owl

Antique Suit Case for the Contemporary Gentleman

Why is All the Wine Gone?

Create one, photograph it, and share it with us!

Albums of the Year

I’m a huge fan of music – listening to it, not making it. With the exception of An Artist I Admire post featuring Zoe Keating, music has not enjoyed much of the spotlight here at exploring-art.com. Primarily this is because exploring-art is about investigating my less developed interests in the arts. That said, I feel the need to highlight my favourite albums of 2011.

Album of the Year: Kiss Each Other Clean

I am an Iron & Wine fan, but to me Our Endless Numbered Days stood out as the epoch of his achievement. Kiss Each Other Clean is at least on par with Our Endless Numbered Days, and it’s musically very different. It is a beautiful thing, dramatically different yet aesthetically alike. You’ll be left wondering why isn’t there more? Left wishing there were more, and yet you’ll be pleased to play it again.

Canadian Album of the Year: Land & Sea

I’ve been a long time fan of Sarah’s; I learnt of her in the early 2000’s living in Toronto, and I haven’t stopped buying her albums. With Land & Sea, an ambitious double album, Sarah shows off her spectacular vocals, as well as her meticulous compositions and arrangements. This album is one of my favourites, but why is it not at the top of the heap? Since it’s not the performance or the production, I suspect that it may be some of the lyrics that hold it back from perfection. But let’s not forget that Sarah is seen here towering over Feist for Canadian album of the year- No small achievement! For lovers of instrumental collections, I’d highly recommend Sarah Slean’s String Quartet Part II, it’s wonderful.

Underrated Album of the Year: Ceremonials

With headlines like, “More is Less”, I feel Ceremonials was unfairly treated in the press. I must admit after the single Shake it Out, the rest of the album wasn’t what I was expecting… but it grew on me, and now it’s a regular on the home stereo as well as my iPhone. With this album Florence and the Machine progress towards a sound that is more choir inspired and less modern bass line and alternative driven. The resulting sound is slightly reminiscent of the 80s, and more specifically, the Eurythmics; however, the music maintains its own identity, and more crucially, it is an evocative and enjoyable album.

Christmas Album of the year: Michael Buble Christmas

One of my wife’s nephews gets credit for this recommendation. He is a wonderful singer in his own right and performs in a number of High School ensembles. I’m not a Buble fan, so I was a bit of a skeptic. As it turns out Michael Buble Christmas is a fun, upbeat, and musical album which carries the possibility of  winning over even the biggest scrooge. Merry Christmas!